“A Brief Encampment,” Lobby Gallery, 14th Street Y, New York, NY

Solo show, Alexey Von Schlippe Gallery, University of Connecticut, Groton, CT
Solo show, AVA Gallery, Lebanon, NH
Main Window (with Paula Overbay), Brooklyn, NY

Solo show, Lane Community College, Eugene, OR
“Trajectories” (with Orna Feinstein), ArtspaceNC, Raleigh, NC

Solo show, Durham Arts Council, Durham, NC
Solo show, Earlville Opera House, Earlville, NY
“Inside Armature” (with Cara Tomlinson), Idaho Falls Arts Center, Idaho Falls, ID

“Substance and Shadow” (with Krista Svalbonas), Monterey Peninsula College, Monterey, CA

“Among Friends,” Metaphor Projects, Brooklyn, NY
“The Presence of Absence,” Elza Kayal Gallery, New York, NY

“100 Works on Paper,” Kentler International Drawing Space, Brooklyn, NY
“First Come, First Hung,” B Dry Goods Gallery, Brooklyn, NY
“Rhythm & Blues,” Studio Montclair Gallery, Montclair, NJ
“Tenuous Threads,” Atlantic Gallery, New York, NY
“Contemporary Mapping: We’re Still Here,” Corners Gallery, Ithaca, NY

“HOPE/Less,” Heller Museum, Hebrew Union College, New York, NY
“Formations: 2022 Southeast Queens Biennial,”  York College and King Manor, Queens, NY
“Among Friends,” Artists Equity Gallery, New York, NY
“Matrixes,” Kate Oh Gallery, New York, NY
“Spectrum,” ArtsWestchester, White Plains, NY
“100 Works on Paper,” Kentler International Drawing Space, Brooklyn, NY

“Light and Shadow,” Curve Gallery, Maryland Federation of Art, Annapolis, MD
“100 Works on Paper,” Kentler International Drawing Space, Brooklyn, NY

“The Blues,” The Painting Center, New York, NY
“Chrysalistasis,” LyonsWier Gallery, New York, NY

“Slow Art,” Village West Gallery, Jersey City, NJ
“A Short Survey of Contemporary Abstraction,” BergenPAC Gallery, Englewood, NJ
“Women’s History Month Invitational,” VanDeb Editions, Long Island City, NY
“Among Friends,” Clemente Soto Vélez Cultural Center, New York, NY
“100 Works on Paper,” Kentler International Drawing Space, Brooklyn, NY

“Select3,” Garvey|Simon, New York, NY
“Allow Me To Reintroduce Myself,” Cigar Factory, Long Island City, NY
“Below the Surface,” 440 Gallery, Brooklyn, NY
“Change Without Change,” Brooklyn Cluster Gallery, Brooklyn, NY
“Pattern and Structure,” St. Peter’s University, Jersey City, NJ
“Fiction: With Only Daylight Between Us,” Art Academy of Cincinnati, OH
“Exquisite Palette,” Tacit Gallery, Melbourne, Australia
“Drawing Conclusions,” Patchogue Arts Center, Patchogue, NY
“365 Days,” Frank Juarez Gallery, Milwaukee, WI
“Among Friends,” 55 Washington, Brooklyn, NY

“Big Small Show,” Drawing Rooms, Jersey City, NJ
“The Seventh Color: Indigo,” LABSpace, Hillsdale, NY
“Dark and Stormy Night,” Lehman College Gallery, Bronx, NY
“Points of Departure: Meditations on Mapping,” Monroe Community College, Rochester, NY
“Whose Land, Whose God?” ODETTA, Brooklyn, NY
“Chromatopia,” Tacit Gallery, Abbotsford, Australia
“Natura Mathematica,” Central Booking Gallery, New York, NY
“In the Details,” SEABA Gallery, Burlington, VT
“Personal Territories,” Five Points Gallery, Torrington, CT
“Bring Something Pink,” Chapelle St. Pierre, Chamas, France
“Fiction (With Only Daylight Between Us),” Class Room, Coventry, England; Apothecary, Chattanooga, TN; Volunteer State Community College, Nashville, TN; NIAD Art Center, Richmond, CA; Raygun Projects, Toowoomba, Australia; Ox-Bow School of Art, Saugatuck, MI
“Tower of Babel,” Givatayim City Gallery, Tel Aviv, Israel

“Big Small Show,” Drawing Rooms, Jersey City, NJ
“Bring Something Pink,” Look & Listen, Paris, France
“For the Saturday Evening Girls,” Drive-By Projects, Watertown, MA
“Fiction (With Only Daylight Between Us),” Corridor Projects, Dayton, OH; BoeckerContemporary, Heidelberg, Germany; Angelika Studios, High Wycombe, UK; Elgin Community College, Chicago, IL
“Surface Appeal: Material Perception,” Dedee Shattuck Gallery, Westport, MA
“Tower of Babel,” Schema Projects, Brooklyn, NY; Centro del Arte Contemporanea Trebisonda, Perugia, Italy; Associazione Culturale TRAleVOLTE, Rome, Italy
“Lazuli,” Ground Floor Gallery, Brooklyn, NY
“Drawing Lines Across Mediums,” Site: Brooklyn, Brooklyn, NY
“Benefit 16,” Kentler International Drawing Space, Brooklyn, NY

“Big Small Show,” Drawing Rooms, Jersey City, NJ
“Compendium,” Islip Art Museum, East Islip, NY
“Marking Wonderland: Contemporary Drawing,” Kenise Barnes Fine Art, Larchmont, NY
“Unlimited Potential,” LyonsWier Gallery, New York, NY
“Grid,” Exhibit 23, Valley Cottage, NY
“Works on Paper,” Weathervane Gallery, Brooklyn, NY
“Going Big,” Central Booking Gallery, New York, NY
“Small Works,” Trestle Gallery, Brooklyn, NY
“IAM Pocket Sized,” Islip Art Museum, East Islip, NY
“A Little Wax,” Arts Guild of New Jersey, Rahway, NJ
“Provocative Perspectives,” St. Joseph’s College, Patchogue, NY

“Visions Revealed,” Hammond Museum, North Salem, NY
“Reflections,” Rockefeller Pavilion, Memorial Sloan Kettering Hospital, New York, NY
“Shifting Ecologies,” The Painting Center, New York, NY
“The Last Brucennial,” New York, NY
“Slight of Hand,” Seton Art Gallery, University of New Haven, New Haven, CT
“Slate as Muse,” Slate Valley Museum, Granville, NY
“9x9x3: New Visions,” Dubuque Art Museum, Dubuque IA

“Cell Mates,” Walsh Gallery, Seton Hall University, South Orange, NJ
2013 Juried Exhibition, Center for Contemporary Art, Bedminster, NJ (juror: John Yau)
“Fractured Color and Light” (three-person show), Kirkland Art Center, Clinton, NY
“New Acquisitions,” Fresh Paint Art Gallery, Los Angeles, CA
“Take Old Road New Way,” Korean Cultural Center, New York, NY
“9x9x3: New Visions,” Holter Museum of Art, Helena, MT

“Edges and Grids” (five-person show), McLean Project for the Arts, McLean, VA
“9x9x3: New Visions,” Marywood University Art Gallery, Scranton, PA; and Flinn Gallery, Greenwich, CT
“ViewPoints 2012,” Ben Shahn Galleries, William Paterson University, Wayne, NJ
“Walk the Line,” School 33 Gallery, Baltimore, MD
“Chromophilia,” Trestle Gallery, Brooklyn, NY
“Botanic/Organic,” Union Street Gallery, Chicago, IL

“Glass & Thread,” Williamsburg Art and Historical Center, Brooklyn, NY
“Small Works,” Windsor Whip Works Art Center, Windsor, NY (Honorable Mention)
“Small Wonders,” Maryland Federation of Art, Annapolis, MD
“The Art of Fiber,” Workhouse Art Center, Lorton, VA
“Bare Essentials: Minimalism in the 21^st Century,” WomanMade Gallery, Chicago, IL
“Geometric Strands” (five-person show), Gallery 61, NYIT School of Architecture and Design, New York, NY
8^th Annual Int’l Juried Show, Shore Institute of Contemporary Arts, Long Branch, NJ
“Intimate: Small Works,” Trestle Gallery, Brooklyn, NY
“Derivatives: Origins in Geometry,” Museum of Geometric and MADI Art, Dallas, TX

“Economies of Scale,” Phoenix Gallery, New York, NY

“Intimate Eye,” Phoenix Gallery, New York, NY

“no one leaves home unless: Berlin exiles 1938-1940,” (works on paper by Emily Hass), Philadelphia Museum of Jewish Art, Philadelphia, PA

“Waking Slow,” Brooklyn Workshop Gallery, Brooklyn, NY
“Passing Through,” Schema Projects, Brooklyn, NY

“Peregrinations, Constellations,” Schema Projects, Brooklyn, NY
“Andrew Zarou,” Schema Projects, Brooklyn, NY

Geoform
The Drawing Center Viewing Program, New York, NY
Kentler Flat Files, Brooklyn, NY
CurateNYC 2013: selected for three online exhibitions by curators Florence Neal, Mahnaz Fancy, and Lauren Ross

LABA Fellowship, 14^th Street Y, New York, NY

INDA 15 (International Drawing Annual), Manifest Creative Research and Drawing Gallery
The Jewish Art Magazine, “Jeanne Heifetz”

Hyperallergic, “Multiple Realities of Abstract Art at the Southeast Queens Biennial”
Epicenter-NYC, “Featured Artist: Jeanne Heifetz”
Canvas, “My Mind is Swiss Cheese: Jewish creatives on staying productive during the never-ending pandemic”

Shofar: An Interdisciplinary Journal of Jewish Studies, “Pre-Occupied”

SciArt Magazine, Algorithmic issue, “Organic”

JCityTimes.com, “Slow Art”
Textile Study Group of NY, “The Language of Making”

Art Spiel, “Jeanne Heifetz — Ordered Chance”
LABA Journal, “But I Own Eight Cemetery Plots”
Lisa Pressman Art Blog, “Jeanne Heifetz Answers”
Nieuw Art Blog, “The Big Small Show”

INDA 10, (International Drawing Annual), Manifest Gallery and Drawing Center
Posit Journal, “Jeanne Heifetz”
Expanded Drawing blog, “Jeanne Heifetz: On Mottainai”

The Jealous Curator blog, “Jeanne Heifetz”
ProWax Journal, “Beauty and Truth: The Art/Science Connection”

New York Times, “Islip Exhibition Explores How Science Influences Art”
ProWax Journal, “In Five Words: Jeanne Heifetz”
The Culture Trip blog, “Decoding the Abstract”
Joanne Mattera Art Blog, “Going Big on the Lower East Side”

The Artist Catalogue (interview and back-cover art)
365Artists365Days blog, “Jeanne Heifetz”
LCC Torch, “Exhibit Reshapes Perception of Art”

“Cell Mates” catalogue essays by Jeanne Brasile and Lisbeth Murray
Painter’s Progress blog, “Have You Met . . . Jeanne Heifetz?”
Art Orbiter blog, “Jeanne Heifetz”

On-Verge, “Faceoff”
Monterey County Weekly, “Substance and Shadow Reverberates with Urban Electricity”
Joanne Mattera Art Blog, “50 Shades of Gray”
Baltimore City Paper, “Walk the Line”

Glass Quarterly Blog, “Brooklyn Exhibition Challenges Artists to Merge Textiles and Glass”
Joanne Mattera Art Blog, “Rhomboid Rhumba”

When Blue Meant Yellow: How Colors Got Their Names (Henry Holt, 1994)

M.A. New York University
A.B. summa cum laude, Harvard University